±¤¹°»çȸÇÐ, Mineral Sociology, 2006-2015

 

 


±¤¹°»çȸÇÐ, Mineral Sociology, Korean and English illustrated, soft cover, ISBN978-89-963939-1-7, July 10th 2010

 

 

            English below

 

 

 

 

±¤¹°»çȸÇÐ

 

1. ±¤¹°ÀÇ ±â¿ø

¾ÆÁÖ ¸Õ ¿¾³¯ . ÅÂÃÊ¿¡ ±¤¹°ÀÌ ÀÖ¾ú´Ù . ±×³É óÀ½ºÎÅÍ ÀÖ¾ú´Ù . ±â¿øÀº ¾Æ¹«µµ ¸ð¸¥´Ù . ±×Àú ¾Æ¸§´Ù¿ü´Ù .

 

2 . ±¤¹°ÀÇ ¾ð¾î

¾ð¾î´Â Àΰ£º¸´Ù ±¤¹°¿¡°Ô ¸ÕÀú ÀÖ¾ú´Ù . ¶ÇÇÑ Àΰ£ÀÌ ±¤¹°À» ¹ß°ßÇϱâ Àü¿¡ ±¤¹°ÀÌ ¸ÕÀú Àΰ£À» ¹ß°ßÇÏ¿´´Âµ¥ ±¤¹°Àº ±×µéÀÇ ¾ð¾î¸¦ °ÅÀÇ ±×´ë·Î Àΰ£¿¡°Ô ÀüÇÏ¿´´Ù . ±¤¹°¿¡°Ô´Â ÀüÆÄ ¼Û½Å´É·ÂÀÌ Àִµ¥ Àΰ£ÀÌ ÀáÀ» Àß ¶§¸¶´Ù ±¤¹°Àº Àΰ£ÀÇ ³ú¿¡ ¾ð¾î°ü·Ã ÀüÆÄ¸¦ º¸³Â´Ù . Àΰ£Àº ¼ö¸é ½Ã¿¡ ÀǽÄÀÌ ÈÞ½ÄÀ» ÃëÇÏ°í ¹«ÀǽÄÀÌ È°¹ßÇÏ°Ô È°µ¿Çϱ⠶§¹®¿¡ ±×µéÀÇ ³ú´Â º¸´Ù À¯¿¬ÇØÁö°í ¼ö¿ëÀûÀ¸·Î ÀüȯµÈ´Ù . µû¶ó¼­ ±¤¹°Àº ±× ½Ã°£¿¡ Àΰ£¿¡°Ô ÀÚÀ¯ÀÚÀç·Î ¾ð¾î ½Ã½ºÅÛÀ» Àü´ÞÇÒ ¼ö ÀÖ¾ú´Ù .

±¤¹°ÀÇ ¾ð¾î´Â ´ÜÀÏÇÑ °ÍÀ̾ú´Âµ¥ ¹«ÀǽĿ¡¼­ ²ÞÀ» ÇØ¼®ÇÏ´Â »ç¶÷¿¡ µû¶ó ¾ð¾î°¡ ¿©·¯ °¡Áö·Î ºÐÈ­µÇ¾ú´Ù . »ç¶÷µéÀº ÁÖº¯¿¡ °°ÀÌ »ç´Â »ç¶÷µé³¢¸® ¸ð¿©¼­ ±×³¯±×³¯ ²Û ²ÞÀ» ±³È¯Çϰí Åä·ÐÇß´Ù . ±×·¯ÇÑ °úÁ¤¿¡¼­ ¾ð¾î´Â °¡±îÀÌ ¸ð¿© ÀÖ´Â »ç¶÷µé¸¶´Ù °øÅëºÐ¸ð¸¦ °¡Áö°Ô µÇ¾ú´Ù .

 

3. Àΰ£ÀÇ ±¤¹° ¹ß°ß

¾î´À ³¯ Àΰ£ÀÌ ±¤¹°À» ¹ß°ßÇß´Ù . Àΰ£ÀÇ ¾ð¾î´Â ±¤¹°ÀÌ °¡¸£ÃÄÁØ °ÍÀ̾ú±â ¶§¹®¿¡ ±¤¹°Àº ±×µéÀÇ ¸»À» ¾Ë¾ÆµéÀ» ¼ö ÀÖ¾ú´Ù . ±¤¹°Àº Àΰ£¿¡°Ô Àλ縦 ÇßÁö¸¸ Àΰ£Àº ±¤¹°ÀÇ Á¤ÀûÀÎ ÀÇ»çÀü´Þ ¹æ½ÄÀ» ÀÌÇØÇϱ⿣ ³Ê¹« Ȱµ¿ÀûÀÎ °³Ã¼µéÀ̾ú´Ù . Àΰ£Àº ´úÄÀ ±¤¹°À» Áý¾î¼­ Âɰ³ º¸¾Ò´Ù . ±×·¸´Ù°í ±¤¹°ÀÌ ´ÙÄ¡°Å³ª ¾ÆÆÄÇÑ °ÍÀº ¾Æ´Ï´Ù . ±¤¹°Àº Àΰ£Ã³·³ ÇϳªÀÇ ¿Ï¼ºµÈ ±¸Á¶·Î ÇÁ·Î±×·¡¹Ö µÇ¾îÀÖ´Â °ÍÀÌ ¾Æ´Ï¶ó , ¸¶Ä¡ Çö󳪸®¾ÆÃ³·³ Âɰ³Áö¸é µÎ °³Ã¼°¡ µÇ¾î Ȱµ¿Çϰí , ¶¥ ¼Ó ±íÀº °÷¿¡¼­ ³ìÀ¸¸é ¿©·¯ °³Ã¼°¡ ´Ù½Ã Çϳª·Î ÇÕÃÄÁö´Â µ¶Æ¯ÇÑ »ýÁ¸ ü°è¸¦ °®Ãß°í ÀÖ¾ú´Ù .

±×³¯ ÀÌÈÄ ±¤¹°µéÀº »ç¶÷µé¿¡ ÀÇÇØ Âɰ³Áö°í ºÎ½¤Áö°í »ì¦ ³ì¿©Áö±âµµ Çß´Ù . »ç¶÷µéÀº È£±â½ÉÀÌ ¸¹Àº Á¸Àç¿´´Ù . »ç³ÉÀ» ÇÏ°í ³ó»ç¸¦ Áþ°í Áý¿¡ ÀÖ´Â °³³ª ´ß°ú ³î´Ù°¡ ½Ã°£ÀÌ ³²¾Æ ½É½ÉÇØÁö¸é ±¦È÷ ÁÖº¯ÀÇ µ¹¸æÀ̵éÀ» ÁÖ¿ö´Ù°¡ À̰ÍÀú°Í ½ÇÇèÀ» ÇØ º¸¾Ò´Ù . ±¤¹°µéµµ »ç¶÷¿¡ ÀÇÇØ ½ÇÇè´çÇØÁö´Â °ÍÀ» ºÎÁ¤ÀûÀ¸·Î »ý°¢ÇÏÁö´Â ¾Ê¾Ò´Ù . ¿ÀÈ÷·Á ÀÚ½ÅÀÇ ¸ð½ÀµéÀÌ »õ·Ó°Ô º¯È­µÇ°í âÁ¶µÇ´Â °Í¿¡ Èï¹Ì¸¦ ´À²¼´Ù . »ç¶÷µéÀº ´À³¢Áö ¸øÇßÁö¸¸ ±¤¹°µé »çÀÌ¿¡´Â »ç¶÷¿¡°Ô ¼±Åà µÇ¾îÁö°í »ç¿ë ¶Ç´Â º¯Çü µÇ¾îÁö´Â °Í¿¡ Àº±ÙÈ÷ °æÀïÀǽÄÀÌ ÀÖ¾ú´Ù . ´©±¸´Â ¿À´Ã ¾î¶»°Ô »ý±ä »ç¶÷¿¡°Ô ¹ßŹµÇ¾î »ÏÁ·ÇÏ°Ô ´Ùµë¾îÁø µµ³¢°¡ µÇ¾ú´Ù´Â µÕ , ´©±¸´Â ¾îÁ¦ ¾îµð¼­ µ¿±Ûµ¿±ÛÇÏ°Ô °¥¾ÆÁö´õ´Ï ´«ÀÌ Ä¿´Ù¶õ ¿©ÀÚ¾ÆÀÌÀÇ ±Í¿¡ ¹Ý¦¹Ý¦ ¸Å´Þ·Á ÀÖ¾ú´Ù´Â µÕ , ¶Ç ¾î¶² ¾Ö´Â ÇÑ ´Þ ÀüºÎÅÍ Á¶±Ý¾¿ Á¶±Ý¾¿ ±ðÀÌ°í °¥¸®°í ´Ùµë¾îÁö´õ´Ï ¿ì¾ÆÇÏ°Ô »ý±ä ¼®Å¾ÀÌ µÇ¾î°¡°í ÀÖ´Ù´Â µÕ ¿©±âÀú±â ¼Ò¹®ÀÌ µ¹±â ½ÃÀÛÇß´Ù .

 

4. ¾î´À ±¤¹°ÀÇ ¿©Çà - À߸øµÈ ¼Ò¹®°ú ±× °á°ú

ÀÌ·¯ÇÑ ¼Ò¹®Àº ±¤¹°µéÀÇ ÀüÆÄ¿Í ÀüÆÄ¸¦ °ÅÃÄ »ç¶÷µéÀÌ »ì°í ÀÖÁö ¾Ê´Â µ¿³×¿¡ ±îÁö ÆÛÁö°Ô µÇ¾ú´Ù . ±×·± µ¿³×´Â ÁÖ·Î ÇèÁØÇÑ »êÀÌ ¸¹Àº µ¿³×¿´´Âµ¥ , ±×°÷ÀÇ ±¤¹°µéÀº »ç½Ç ž¼­ Àΰ£À̶ó´Â Á¾Á·À» ÇÑ ¹øµµ º¸Áö ¸øÇß¾ú´Ù . ±×µé¿¡°Ô Àΰ£Àº ½ÅºñÀÇ Á¸Àç¿´´Ù . ¼Ò¹®À̶õ ¿ö³« µ¹°í µ¹´Ùº¸¸é °úÀåÀÌ µÇ´Â ¹ý . ±í°í ±íÀº »ê ¼ÓÀÇ ±¤¹°¿¡°Ô ÀüÇØÁø À̾߱â´Â »ç½Ç°ú´Â Á¶±Ý ´Þ¶ú´Ù . Àú±â ¾Æ·¡ °­°¡ ±Ùó¿¡ Å©°í ºÓÀº ÀÔÀ» °¡Áø »ç¶÷À̶ó´Â °ÍÀÌ Àִµ¥ ±×°÷¿¡ °¡¸é ´Ù¸¥ µ¿¹°°ú ´Þ¸® »ç¶÷Àº ¿ì¸® ±¤¹°µéÀ» Áý¾î´Ù°¡ ¸Ô´Âµ¥ »ç¶÷ÀÇ ³»Àå±â°üÀ» °ÅÃļ­ ¼¼»ó¿¡ ´Ù½Ã ³ª¿À¸é ¿Â¸öÀÌ Åõ¸íÇØÁö°í ¹°··¹°··ÇÑ Á©¸®·Î º¯½ÅÇÒ ¼ö ÀÖ´Ù´Â °ÍÀ̾ú´Ù .

±¤¹°¿¡°Ô´Â ±×µé¸¸ÀÇ ½ÅÀÌ ÀÖ¾ú´Âµ¥ ±× ½ÅÀº ±¤¹°ÀÇ ´Ü´ÜÇÑ ¹°¼ºÀ» ÃÊ¿ùÇÑ Á©¸®½ÅÀ̾ú´Ù . Áï ±× Áö¿ª ±¤¹°µé¿¡°Ô Àΰ£Àº ±¸¿øÀÇ Á¸À糪 ¸¶Âù°¡Áö¿´´Ù . Á©¸®½Å ±îÁö´Â µÇÁö ¸øÇϰÚÁö¸¸ Á©¸®°¡ µÈ´Ù¸é ±¤¹°µéÀº Á©¸® õ»ç Á¤µµ±îÁö´Â µÇ´Â µí ÇÑ ±âºÐÀÌ µé °Í¸¸ °°¾Ò´Ù . ±×¸®ÇÏ¿© »ê ¼ÓÀÇ ±¤¹°µéÀº Àΰ£À» ã¾Æ ¶°³ª±â ½ÃÀÛÇß´Ù .

ÇÏÁö¸¸ ±¤¹°µéÀº ¾ÖÃÊ¿¡ À̵¿ ´É·ÂÀÌ ¾ø¾ú´Ù . ±×µéÀº À̼ºÀûÀ¸·Î »ý°¢Çß´Ù . À̵¿ ´É·ÂÀÌ ¾ø´Â ÀڽŵéÀÌ ¾î¶»°Ô Àΰ£À» ¸¸³¯ ¼ö ÀÖÀ» °ÍÀΰ¡ ? ±×µéÀº À̵¿ ´É·ÂÀ» ±â¸£±â À§ÇØ ¼ö·ÃÀ» ½ÃÀÛÇß´Ù . ¿©·¯ °¡Áö ½Ãµµ ³¡¿¡ ¼º°øÇÒ ¼ö ÀÖ¾ú´ø ¹æ¹ýÀº ¡°ºÐ¿­ ħÅõ ÅëÇÕ¡±ÀÇ ¹ýÄ¢¿¡ µû¶ó ¿òÁ÷ÀÌ´Â °ÍÀ̾ú´Ù . ±×µéÀº ¿ì¼± ÀÚ½ÅÀÇ ¸öÀ» ºÐ¿­½Ãų ¼ö ÀÖµµ·Ï ±â¸¦ ¸ð¾Æ ´Ü·ÃÇß°í ºÐ¿­ÀÌ ÀÌ·ç¾îÁö´Â ¼ø°£ ¿·¿¡ ÀÖ´Â ´Ù¸¥ ±¤¹°ÀÇ ¸ö¿¡ ħÅõÇß´Ù . ±¤¹°ÀÇ Æ¯¼º»ó ¼ø°£ ºÐ¿­°ú ¼ø°£ ħÅõ¸¸ °¡´ÉÇß°í ħÅõÇÑ ºÎºÐÀº °ð ±× ´Ù¸¥ ±¤¹°°ú ÅëÇÕµÇ¾î ¹ö·È´Ù . ÇÏÁö¸¸ ħÅõÇÑ ºÎºÐÀº ÀÚ½ÅÀÇ º»·¡ ¼ºÁúÀ» ÀÒÁö ¾Ê°í ´Ù½Ã ¼öÇàÇÏ¿© ºÐ¿­ÇÏ°í ¿·ÀÇ ¶Ç ´Ù¸¥ ±¤¹°¿¡ ħÅõ ¶Ç ħÅõÇß´Ù . ÀÌ·¸°Ô ¿À·£ ¼¼¿ù¿¡ °ÉÃÄ ±¤¹°µéÀº Çdzª´Â À̵¿ÀÇ ¿ª»ç¸¦ À̾´Ù .

±×·¯´ø ¾î´À ³¯ Àú³á ÁîÀ½ µåµð¾î ½£ ¼ÓÀÇ ±¤¹°µéÀº Àΰ£ÀÌ »ê´Ù´Â ÇÑ °­°¡ ¸¶À»¿¡ µµÂøÇß´Ù . ±×·±µ¥ À¢ÀÏÀÎÁö °­°¡¿¡´Â Àΰ£À¸·Î º¸ÀÌ´Â »ý¹°Ã¼°¡ ´«¿¡ ¶çÁö ¾Ê¾Ò´Ù . ±¤¹°Àº Á¶±ÞÇØÁö°í ´ä´äÇß´Ù . ¾î¼­ Àΰ£À» ã°í ½Í¾î À̸®Àú¸® µÎ¸®¹ø°Å·È´Ù . Àΰ£ÀÌ ÀڽŵéÀ» ã¾Æ Áý¾î »ï۱⵵ Àü¿¡ ¾ó¸¥ Àΰ£ÀÇ ÀÔ ¼ÓÀ¸·Î ¶Ù¾î µé¾î°¡°í ½Í¾ú´Ù . ±¤¹°Àº Å©°í ºÓÀº ÀÔÀ» ã¾Æ °è¼Ó Çì¸Å¾ú´Ù . ±×·¸°Ô ÇÑ ½Ã°£ À̽ʺРÁ¤µµ¸¦ Çì¸ÅÀÚ ±¤¹°Àº ¹ÌÃĹö¸± °Í¸¸ °°¾Ò´Ù . Áö±Ý±îÁö ÇØ¿Â °í»ýÀÌ Çê¼ö°í·Î ³¡³ª¹ö¸®´Â »ó»óÀ» ÇÏÀÚ Á¤½ÅÀ» ÀÒÀ» °Í °°¾Ò´Ù .

ÇØ°¡ Á¡Á¡ Áö¸é¼­ ¾îµÎ¿öÁöÀÚ ±¤¹°ÀÇ ´ä´äÇÑ ¸¶À½Àº ´õÇØÁ®¸¸ °¬´Ù . ±×·¯´Ù µåµð¾î Àú ¸Ö¸® ÀÖ´Â ºÓ°í Å« ÀÔÀ» ã°Ô µÇ¾ú´Ù . ¸¶Ä§ Àΰ£ÀÌ ÀÔÀ» ½ ¹ú¸®°í ÇÏǰÀÌ¶óµµ Çϰí ÀÖ´Â µí Çß´Ù . ±¤¹°Àº À̰ÍÀú°Í »ý°¢ÇÒ Æ´ÀÌ ¾ø¾ú´Ù . ¹«Á¶°Ç ±×°÷À» ÇâÇØ ÀÖ´Â Èû²¯ ´Þ·Áµé¾ú´Ù . ¿À·£ ¼¼¿ù ´ÙÁ®¿Â ħÅõÀÇ ´É·ÂÀ» °ÅÀÇ ÃÊ´É·ÂÀûÀ¸·Î ¹ßÈÖÇÏ¿´´Ù . ±×µéÀº ¸¶Áö¸· ÈûÀ» ´ÙÇØ Á©¸® õ»ç°¡ µÇ´Â ²ÞÀ» ²Ù¸ç Àΰ£ÀÇ ÀÔÀ¸·Î ¶Ù¾î µé¾î°¬´Ù .

±×³¯ ¹ã Àΰ£µéÀº ¸¶À» ÀÜÄ¡¸¦ ¸¶Ä¡°í °¢ÀÚÀÇ ÁýÀ¸·Î µ¹¾Æ¿Ô´Ù . ±× Áß ÇÑ Áý¿¡¼­ ½Å±âÇÑ ÀÏÀÌ ¹ú¾îÁø °ÍÀ» ¹ß°ßÇߴµ¥ , ¿ÀÈÄ¿¡ ¶¼³õ°í ±ô¹ÚÇÏ°í ²ôÁö ¾ÊÀº ¾Æ±ÃÀÌ ºÒÀÌ ¹ã±îÁö ȰȰ Ÿ¿À¸£°í ÀÖ¾ú´ø °ÍÀÌ´Ù . ±× °÷¿¡´Â ³ª¹«ÀÇ Àç¿Í´Â ´Þ¸® Àΰ£ÀÌ Ã³À½ º¸´Â ÇüÅÂÀÇ Àç°¡ °¡µæ ÀÖ¾ú°í , ¾Æ±ÃÀÌ ÁÖÀ§¿¡ ±×°Í°ú ºñ½ÁÇÑ ¸ð¾çÀÇ °ËÀº µ¹¸æÀ̵éÀÌ °¡µæ ½×¿© ÀÖ¾ú´Ù . ¸¶Ä¡ ±×°ÍµéÀº ¾Æ±ÃÀÌ ¼ÓÀ¸·Î µé¾î°¡°í ½Í¾î ¾È´ÞÀ» ÇÏ´Â °Íó·³ º¸¿´´Ù . Àΰ£Àº ÀÌ¿¡ ¾ß¸©ÇÑ Èï¹Ì¸¦ ´À³¢°í ±× µ¹¸æÀ̵éÀ» ¾Æ±ÃÀÌ ºÒ¿¡ ³Ö¾î º¸¾Ò´Ù . ±×·¨´õ´Ï ÀÌ°Ô À¢ÀÏÀΰ¡ ? ºÒÀº ¿©Å±îÁö ³ª¹«¸¦ Å¿ü´ø °Íº¸´Ù ÈξÀ ¿À·¡ Àß Å¸¿Ã¶ú´Ù .

±× ÀÌÈÄ·Î »ç¶÷µéÀº ¶ª°¨À¸·Î ½ÅºñÀÇ °ËÀº µ¹¸æÀÌÀÎ ¼®ÅºÀ» ¾²°Ô µÇ¾ú°í , ¸¶À» ÁÖÀ§ÀÇ ¼®ÅºÀ» °ÅÀÇ ¾²°Ô µÇÀÚ , ¼®ÅºÀÌ ÆÛÁ® ÀÖ´Â ±æÀ» µû¶ó¼­ »ê ¼Ó ±íÀÌ µé¾î°¡°Ô µÇ¾ú´Ù . ±× °÷¿¡¼­ ¼®ÅºÀ» ij¼­ ³ª¸£´Â ÀÏÀ» ½ÃÀÛÇß°í , ¿À·£ ½Ã°£ÀÌ È帥 µÚ¿¡´Â ±× Àϸ¸ Àü¹®À¸·Î ÇÏ´Â Á÷¾÷µµ »ý±â°Ô µÇ¾ú´Ù .

 

5. ±¤¹°ÀÇ »ç¹°È­ - ±¤¹°ÀÇ °è±Þ

»ç¶÷µéÀº ¼®Åº »ç°Ç ÀÌÈÄ¿¡ ¹ÌÁöÀÇ ¼¼°è¿¡ Àΰ£¿¡°Ô ¾µ ¸¸ÇÑ º¸¹° °°Àº ¹°ÁúµéÀÌ ÀÖÀ» °Å¶ó´Â ¸·¿¬ÇÑ ±â´ë¸¦ ǰ°Ô µÇ¾ú°í , ±× ¿å¸ÁÀ» ã¾Æ ¿©±âÀú±â µ¹¾Æ´Ù´Ï±â ½ÃÀÛÇß´Ù . ±ä ½Ã°£ µ¿¾È ±× °á½ÇÀº ¸ÎÁö ¸øÇßÁö¸¸ ¾î´À ³¯ µåµð¾î ã¾Æ³½ °ÍÀÌ ÀÖ¾ú´Âµ¥ ±×°ÍÀÌ ¹Ù´Ù ¼ÓÀÇ ¼®À¯¿´´Ù . ¼®À¯´Â ¼®Åº ÀÌ»óÀÇ È¿°ú¸¦ ºÒ·¯ÀÏÀ¸Ä×´Ù . ¸» ±×´ë·Î »ó»ó ÀÌ»óÀ̾ú°í , ±×°ÍÀ¸·Î ¸¸µé ¼ö ¾ø´Â °ÍÀÌ ¾ø¾ú´Ù . Àΰ£ÀÇ ¹®¸íÀÌ ¹ß´ÞÇÑ °Íµµ ¸ðµÎ ¼®À¯ ´öºÐÀ̾ú´Ù . ¼®À¯·Î °ÅÀÇ ¸ðµç »ýÇÊǰÀ» ¸¸µé¾î³Â°í , µµ·Î¸¦ Á¤ºñÇßÀ¸¸ç , ´ëÇü±³Åë¼ö´ÜÀÇ °ÇÃà Àç·á¿Í ¿¬·á·Î±îÁö »ç¿ëÇß´Ù .

¼®À¯°¡ ¹ß°ßµÇ°í Àΰ£Àº ´À³¢Áö ¸øÇßÁö¸¸ ±¤¹°ÀÇ ¼¼°è¿¡´Â ¼û°ÜÁöÁö¸¸Àº ¾Ê´Â ½ÅºÐ °è±ÞÀÇ ¼¼»óÀÌ »ý±â°Ô µÇ¾ú´Ù . ±×°ÍÀº Àΰ£ÀÌ ±¤¹°·Î ¸¸µç »ç¹°µéÀ» »ç¿ëÇÒ ¶§ ±×°ÍÀÇ Ãë±Þ¿¡ °üÇÑ °ÍÀ̾ú´Ù . Å©°Ô ³× ºÎ·ù·Î ³ª´©¾îÁö´Âµ¥ ´ÙÀ½°ú °°´Ù .

1) ž ¶§ºÎÅÍ ±Ý¹æ ¾²·¹±â°¡ µÉ ¿î¸í - Á¾ÀÌÄÅ , »¡´ë , ºñ´ÒºÀÁö , Àº¹ÚÁö , À½·áĵ , ¼úº´ µî

2) ƯÁ¤ ±â°£ »ç¿ëµÇ´Ù°¡ ¹ö·ÁÁú ¿î¸í - Ææ , ³ëÆ® , ¹Ù±¸´Ï , ¾²·¹±âÅë , ½Ä±âµµ±¸ , ¼ÕÅé±ðÀÌ µî

3) ¼ÒÁßÈ÷ ¾²ÀÌ´Ù°¡ ´â¾ÆÁö´Â ¿î¸í - °¡±¸ , °¡¹æ , ¿Ê , ÀÚµ¿Â÷ , ÄÄÇ»ÅÍ , Ä«¸Þ¶ó . Áý µî

4) ¿µ¿øÈ÷ Áø±ÍÇÏ°Ô °£Á÷µÇ´Â ¿î¸í - º¸¼® , µ· , ¼öÁýǰ , ±¹º¸ µî

´Ü , »ç¹°ÀÇ ½ÅºÐÀº ±×°ÍÀÇ ÁÖÀÎÀÎ Àΰ£ÀÇ °³ÀÎÀûÀΠŵµ³ª °¡Ä¡°ü¿¡ µû¶ó ºÎºÐÀûÀ¸·Î °¡º¯ÀûÀÌ´Ù .

 

6. »ç¹°ÀÇ Àΰ£À¯ÀÎÀÛÀü

±¤¹°ÀÇ ¼¼°è´Â ÀÌ·¸°Ô ¼­¼­È÷ »ç¹°ÀÇ ¼¼°è·Î ÀüȯµÇ°í Àΰ£¿¡ ÀÇÇØ °è±ÞÀÌ °áÁ¤µÇ¸é¼­ ±×µéÀÇ Ãë±Þ°ú ´ë¿ì¿Í ½ÅºÐÀÌ ´Þ¶óÁ³´Ù . ±×·¯ÀÚ ±×µéÀº ½º½º·Î°¡ Àΰ£À» À¯È¤ÇÏ¿© ±×µé¿¡°Ô ±¸¸ÅµÇ°í µÇµµ·Ï ¿À·§µ¿¾È º¸Á¸µÇ´Â ±â¼úÀ» ¹ß´Þ½ÃÄ×´Ù . ±×°ÍÀº Çâ±âÀÌ´Ù .

»ç¹° °¢°¢¿¡´Â °íÀ¯ÀÇ ÇâÀÌ ÀÖ´Ù . Àΰ£ÀÌ ÀǽÄÀûÀ¸·Î ÀÚ°¢ÇÏÁö´Â ¸øÇÏÁö¸¸ , Àΰ£ÀÌ ¾î¶°ÇÑ »ç¹°À» »ç°Ú´Ù°í ¸¶À½À» ¸Ô°í ±×°ÍÀÇ Á¾·ù¸¦ Ž»öÇÏ°í ¼±ÅÃÇÑ µÚ µ·°ú ¹Ù²Ù´Â ±¸¸Å ÇàÀ§¸¦ ÇÏ´Â °ÍÀº ¹Ý ÀÌ»óÀÌ Àΰ£ÀÇ ÀÇÁö°¡ ¾Æ´Ï´Ù . »ç½Ç ±× ±â¼úÀº »ç¹°ÀÇ ´É·ÂÀÌ ¾Æ´Ï¶ó Á©¸®½ÅÀÇ ´É·ÂÀ̾ú´Ù . »ç¹°ÀÌ µÈ ±¤¹°µéÀº ½ÅºÐ »ó½ÂÀ» ±â¿øÇÏ´Â ±âµµ¸¦ Á©¸®½Å¿¡°Ô ¸ÅÀÏ µå·È´Âµ¥ ±× °úÁ¤À» Á©¸®½ÅÀÌ ³ÍÁö½Ã µµ¿ÍÁÖ±â·Î ÇÑ °ÍÀÌ´Ù .

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7. ±¤¹°ÀÇ ÄÞÇ÷º½º

»ç¹°µé¿¡°Ô´Â Àΰ£¿¡ ´ëÇÑ Áö¿ï ¼ö ¾ø´Â ÄÞÇ÷º½º°¡ ÀÖ¾ú´Âµ¥ ±×°ÍÀº ´«ÄÚÀÔ¿¡ ´ëÇÑ °ÍÀÌ´Ù . »ç¹°µéÀº ±¤¹°ÀÏ ÀûºÎÅÍ »ý°¢Çß´Ù . ¿Ö ±¤¹°¿¡°Õ µ¿¹°À̳ª Àΰ£Ã³·³ ´«ÄÚÀÔÀÌ ÀÖÁö ¾ÊÀ»±î ? ÀÌ»óÇϰԵµ ½Ä¹°Àº ´«ÄÚÀÔ¿¡ °üÇØ ¿å½ÉÀ» ³»Áö ¾Ê¾ÒÁö¸¸ ±¤¹°Àº Ç×»ó ±×°ÍÀÌ Å½ÀÌ ³µ¾ú´Ù . ±×·¡¼­ÀÎÁö ¿À·¡ÀüºÎÅÍ ÀÌ·¯ÇÑ ¸¶À½À» ´Þ·¡±â À§ÇÑ ÆÄƼ°¡ ¿­¸®°ï Çß´Ù .

¸Å³â 7 ¿ù 27 ÀÏÀÌ µÇ¸é ÇÏ·çÁ¾ÀÏ ¡°´«ÄÚÀÔ Æä½ºÆ¼¹ß¡±À» Çϴµ¥ ¿Âµ¿³× ±¤¹°µéÀÌ ¸ð¿©¼­ ´«ÄÚÀÔ ¸ð¾çÀ» ¸¸µé°í ³ë´Â °ÍÀÌ´Ù . ÇÏÁö¸¸ ±¤¹°µéÀº À̵¿´É·Âµµ ¶Ù¾î³ªÁö ¸øÇϰí ÀÔÀÚÀÇ Çüŵµ ºñ½Áºñ½ÁÇØ¼­ ¶Ù¾î³­ Ç¥Çö·ÂÀ» Áö´ÏÁö´Â ¸øÇß´Ù . µû¶ó¼­ °¡²û Àΰ£¿¡°Ô ¼±ÅõǾî Àΰ£ ¸ð¾çÀÇ »óÀ̳ª ½Å»óÀ¸·Î Á¶°¢µÇ´Â °ÍÀ» ¾ÆÁÖ Å« ÇູÀ¸·Î ¿©°å´Ù . ±×·±µ¥ »ç¹°ÀÇ ¼¼°è°¡ ¿­¸®ÀÚ »óȲÀÌ Á¶±Ý¾¿ ´Þ¶óÁ³´Ù . Àΰ£ÀÌ ¸¸µç »ç¹°µéÀº ÇüŰ¡ ¸Å¿ì ´Ù¾çÇ߱⠶§¹®¿¡ ´«ÄÚÀÔ ¸ð¾çÀ» Èä³»³¾ ¼ö ÀÖ´Â °¡´É¼ºÀÌ ´õ¿í Ä¿Á³´Ù . ±×µéÀº ÀڽŵéÀÇ ¼û¾î ÀÖ´Â Çü»óÀ» ¹ß°ßÇÏ°í ´Ù¸¥ »ç¹°µé°ú ±×·ìÀ¸·Î ´«ÄÚÀÔ ±¸Á¶¸¦ ¸¸µå´Â ³îÀ̸¦ ÈξÀ ´Ù¾çÇÑ ¹æ¹ýÀ¸·Î Áñ±æ ¼ö ÀÖ¾ú´Ù .

Áö±Ý±îÁöµµ »ç¹°µéÀº ¸Å³â 7 ¿ù 27 ÀÏÀÌ µÇ¸é ±×µé¸¸ÀÇ ÆÄƼ¸¦ °÷°÷¿¡¼­ ¿©´Âµ¥ Åë°è»ó ºÐÀ§±â°¡ ÀýÁ¤¿¡ À̸£´Â ½Ã°£Àº Àú³á 9 ½Ã 38 ºÐ Á¤µµ¶ó°í ÇÑ´Ù . »ç¹°µé Áß ÄÞÇ÷º½º°¡ °¡Àå °­ÇÑ °èÃþÀº ÁÖ·Î °¡Áø °ÍÀÌ ¾ø´Â ÀÏȸ¿ëǰµéÀ̸ç , µû¶ó¼­ ±×µéÀÌ Æ¯È÷ ÆÄƼ¿¡ ¸¹ÀÌ Âü¼®Çϴµ¥ , ÃÖ±Ù ÆÄƼÁß ¸î¸îÀº °¡²û¾¿ ¹Ì¼úǰÀ¸·Î ½Â°ÝµÇ¾î Áø±ÍÇÏ°Ô °£Á÷µÇ´Â °¡Àå ³ôÀº °è±ÞÀ¸·Î ¿Ã¶ó°¡±âµµ ÇÑ´Ù . ÇÑÆí ¾Æ¿¹ µ¿¹°À̳ª Àΰ£ ÇüÅÂÀÇ ÀÎÇü , Àå³­°¨ , Àå½ÄǰÀ¸·Î ¸¸µé¾îÁö´Â °æ¿ìµµ ÀÖ¾ú´Âµ¥ ±×µéÀº ±¤¹° ÄÞÇ÷º½º¸¦ ¿ÏÀüÈ÷ ¹þ¾î³ª Æò»ýÀ» Çູ ¼Ó¿¡ Áö³»´Â Á¸Àç¶ó°í ÇÑ´Ù .

 

 

 

 

Mineral Sociology

 

1. The origin of minerals

A long long time ago in the beginning, there was a mineral. It was just there. No one knows its origin. It was beautiful.

 

2. The language of minerals

Minerals had language before man did. Also, minerals found men first before they found minerals, and the minerals passed down their language to men almost intact. Minerals had an ability to transmit radio waves and send signals about language to people's brain during their sleep. When a man sleeps, his consciousness rests and unconsciousness is activated, which makes his brain more flexible and receptive. Therefore, minerals could freely transfer their language system to people during that time.

Although the minerals transferred only one language, it diverged through each man's interpretation of his dream. People living near each other would gather every day to exchange and discuss their dreams. In that process, common denominators of language were formed among the people who lived close to each other.

 

3. A man's discovery of mineral

One day a man discovered minerals. Since the man's language was taught by minerals, the minerals could understand his words. The minerals greeted them, but the men were too active to understand the mineral's static way of communication. The man held and split a mineral. However, the mineral was not hurt. The mineral was not programmed as a complete form, like a man, and had a unique survival system that turns into multiple entities when divided, like a planaria, and merges back into one piece when melted deep in the ground.

Since that day, people started dividing, crashing, or melting the minerals. People had lots of curiosity. After hunting, farming, and playing with dogs or chickens at home, bored men picked up the rocks around them and tried many experiments. Also, the minerals did not feel that bad about being experimented on. Rather, they felt interested in being newly transformed and recreated. Although the men could not know, minerals became competitive about being chosen, used, and transformed by men. Rumors spread, for instance, that a mineral was picked up and sharpened into a hatchet by this man, the other was grinded round and smooth yesterday and now shines by the ears of a girl with beautiful eyes, or the other mineral was carved and ground little by little for a month, turning into an elegant stone pagoda.

 

4. A mineral's adventure - false rumor and its consequences

Such rumors spread over and over and reached the area untouched by man. Those were usually rugged mountains, and the minerals of that region had never seen a man in their life. Man was a mysterious being to them. Like always, rumors were exaggerated over time. The stories delivered to the minerals deep in the mountains were different from the truth. The stories said that down by the river lived a man who ate minerals. He had a huge red mouth unlike other animals, and when the mineral went through his internal organs and returned to the world, its body became transparent and transformed into a soft jelly.

The minerals worshiped a god called Jelly God who transcended the hard material property of minerals. So, a man sounded like a savior to the minerals of that area. It would not make them Jelly God, but being a jelly could raise their status to a jelly angel at least. Thus, the minerals of the mountains decided to set off for an adventure in search of this man.

However, from the beginning, minerals did not have an ability to move. They thought rationally. How could they, without power to move, reach the man? They started training to develop the ability to move. After many attempts, they succeeded in moving according to the law of ¡°divide, penetrate, and merge.¡± First, they trained to collect energy for dividing their bodies and penetrated into other mineral bodies at the moment of division. Due to the characteristics of the minerals, only momentary division and penetration was allowed, and the penetrated part immediately merged with other minerals. However, that penetrated part did not lose its original property and kept training again in order to divide and penetrate into other minerals over and over. The minerals moved little by little for a very long, harsh time.

Then one evening, the minerals of the mountain finally arrived at a town by the river where people lived. For some reason, there was no life to be seen that was likely to be this man. The minerals felt anxious and impatient. They looked around to find this man. They were eager to jump into the man's mouth even before the man found them. The minerals kept looking for a huge, red mouth. After about an hour and twenty minutes, they almost went crazy. Imagining their hard work going to waste drove them insane.

As the sun went down and the day grew dark, the minerals felt more edgy. Then they finally found a huge, red mouth in the distance, as if a man was opening his mouth wide, yawning. The minerals did not have time to think. They recklessly ran into it. Their long-trained power of penetration almost became a superpower. Deriving all the energy they had, they jumped into the man's mouth with the dream of jelly angels.

That night, people came back to their homes after the village feast. Something surprising happened at one house, in a fireplace left on in the afternoon that was still blazing into the night. There were ashes that they had never seen before in the woods, and black rocks that looked like those ashes were stacked around the fireplace. They seemed anxiously wanting to go into the fireplace. Out of a strange interest, the man threw some of these rocks in the fireplace. Surprisingly, the fire burned better and longer than with wood.

Since then, men began using these mysterious black rocks called coal instead of firewood, and after exhausting all coals around their village, they explored deep inside mountains along the track of coals. They started mining and carrying coal, and after a long time, the job became a profession.

 

5. Reification of minerals - class

After the coal event, people had a vague hope for precious materials of the unknown world that could enhance their life. Their desire drove them to travel around the world. Years passed without any significant discoveries, but one day they finally found something - oil under the sea. Oil had a greater impact than coal. It went far beyond one's imagination, and it could transform anything in the world. Human civilization progressed because of oil. Oil was used to produce almost all commodities, pave the roads, build and fuel mass transportation.

Discovery of oil led to hierarchies in the world of minerals, although people did not know. It was about how men treated objects made with minerals. There were four broad categories.

1) Born to be thrown away soon - paper cups, straws, plastic bags, aluminum foil, beverage cans, liquor bottles, etc.

2) Born to be used for a certain period and then discarded - pens, notebooks, baskets, trash cans, cutlery, nail clippers, etc.

3) Born to be used valuably and then worn out - furniture, purses, clothes, cars, computers, cameras, houses, etc.

4) Born to be treasured and valued forever - jewelry, money, collections, national treasures, etc.

Yet, an object's class can be vary depending on the individual attitude or values of its master human.

 

6. Decoy operation by objects

Likewise, the world of minerals gradually transferred to the world of objects where their classification is defined by men, which differentiated their treatment and status. Then, minerals developed a skill to lure people to purchase and preserve them for as long as possible. It was a scent.

Each object has its own unique scent. While men are not conscious of it, the action of purchasing an object, exploring its category, choosing, and exchanging it with money is not done through their will in more than half of the cases. In fact, this magic is not the objects' power, but the Jelly God's. Minerals that become objects pray to the Jelly God for the rise of their status everyday, and the Jelly God tacitly helps them.

The Jelly God stimulates specific nerves and brain cells during a man's sleep and makes them unconsciously favor a relevant scent for a short period. The next day when a man actually practices purchasing, the objects with that scent are more likely to be chosen, and the average success rate is about 58%. And in some cases tthe Jelly God stimulates the purchase activity of a specific object, which is an answer for desperate prayers. Like this, the objects manipulate people and possess them by being possessed.

 

7. Complex of minerals

The objects had an indelible complex about a man, which was about face. Since their mineral-hood, they never stopped thinking about it. Why weren't they born with a face like animals or people? Oddly, plants did not desire a face, but minerals always coveted a face. Therefore for a long time, they used to hold parties to comfort their disappointment.

At ¡°Face Festival¡± on every 27th of July, minerals from all over the villages gather to make and play with the image of an eye, nose, and mouth all day. However, since minerals are not great in movement and have similar appearances, their expressions were not too admirable. Thus, being chosen by a man and created into a sculpture of a human or god was considered to be a great blessing. But things changed as the world of objects arrived. Thanks to the various shapes of objects that man made, it became easier to imitate the shape of an eye, nose, and mouth. They discovered the images inside themselves and enjoyed various ways of making faces with other objects in groups.

Up until today, objects hold their parties all over the world on every July 27th, and the statistics say that the peak time is around 9:38 in the evening. Disposable products are the most frustrated group and attend the party the most. At the most recent parties, some of them were promoted to artworks, the highest class that is treasured and valued. On the other hand, some minerals are made into dolls, toys, or ornaments in the image of an animal or man, and they become completely free from the mineral complex and live happily ever after.

 

 

 

 


±¤¹°»çȸÇаú ³­¹Î¹ß»ýÀÇ »ó°ü°ü°è¿¡ ´ëÇÑ °íÂû, Consideration of correlation between Mineral Sociology and refugee occurrence, 2015, performance with Yeonjeong Kim

 

 

 

 


¾Ç¾Ç, Ak Ak, 2012, performance with Jeongeun Mang

 

 

 

 

Á©¸®½Å Âù¼Û°¡, The Jelly God Hymn, 2010, single channel video, 00:00:36

 

 

 

Á©¸®½Å Âù¼Û°¡2, The Jelly God Hymn2, 2012, single channel video, 00:00:44

 

 

 


¸¸³², Meeting, 2013, acrylic and oil on canvas, 180x300cm

 

 

                  
Á©¸®½Å»óµµ, Jelly God portrait, 2012, acrylic on canvas, 45x33cm                                    ¹ß°ß, Discovery, 2013, acrylic on canvas, 91x72.5cm                        

 

 

 

                  
¶ó¶ö¶ó, Lalala, 2013, acrylic on canvas, 80x70cm                                                                       ¾È³ç, Hi, 2013, acrylic on canvas, 70x65cm

 

 

 

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                                                                                                    ±¤¹°»çȸÇÐ 2-1, Mineral Sociology 2-1, 2010, acrylic on canvas, 90x110cm

 

 

 

     
                                                                                               ±¤¹°»çȸÇÐ 5-2, Mineral Sociology 5-2, 2011, acrylic on canvas, 80x100cm

 

 

 

     
                                                                                                        ±¤¹°»çȸÇÐ 7-1, Mineral Sociology 7-1, 2010, acrylic on canvas, 80x117cm

 

 

 

     
±¤¹°»çȸÇÐ ¸»ÁÖ¸Ó´Ï1, Mineral Sociology words pocket1, 2006~2007, cloth, zipper and paper, 33x19x1cm

 

 

 


Á©¸®½Å»óµµ, Jelly God portrait, 2007, watercolor and pen on paper, mixed media on frame, 48x36cm each